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One of the difficulties in putting together a vintage collection that is actually
operational is the task of pairing associated equipment in an authentic way. At times
it is simply impractical to do so, and that difficulty is reflected in this particular
corner bay of the flight deck octagon.
It is composed of both AAF and Navy sets which have no contextual relationship
per se, other than this bay has caught some stray dogs and cats that were backbone
communications equipment in various theaters and aircraft.
Jumping below the RU/GF set at the very top of this rack for a moment, one of the best known transmitters of WWII is the BC-375, used in the thousands of B-17s produced during the war. The -E version of that transmitter takes up a good part of this position. Designed in about 1932 as a commercial set called the RT-76-A, GE subsequently adapted it to military specifications circa 1935 in the form of the BC-AA-191. The BC-375 was a 28vdc evolution of that first set, and continued to use the ancient (by 1941) Type 211 triode as push-pull modulator, M.O. (Master Oscillator), and Power Amplifier. Interestingly enough, the BC-375 was also initially selected for the B-29, and early -29 manuals show mockups of the radio compartment with that set in it - that's one of the reasons for the placement of the shock mount to the left of the radio operator in an uncomfortably low position for the much more compact ART-13 that replaced it. There was a total of seven plug-in tuning units available for this set, an approach that prevented any channelized switching that the Navy demanded from their wartime developed sets. The use of the 211 triode (VT-4 in Signal Corps parlance) with its large plate structure made neutralization essential, and the simple MOPA design made keying relay sequencing a matter requiring some skill. In fact, there was a tool designed with lights that indicated closure of each contact as the antenna/keying relay armature was slowly rotated, so that contacts could be adjusted for energizing in just the right sequence to avoid "yooping" of the CW signal. It also required a "stiff" power supply with a low internal impedance, a job the dynamotor at lower left performed admirably. Postwar conversions of this set by radio amateurs earned it a bad reputation because these peculiarities were forgotten or ignored. To the transmitter's right is a BC-306 antenna tuner, used with the lower frequency tuning units. Below the BC-375 is a Collins AN/ARC-2. This particular one is a rare original contract issue set. Integrating transmitters and receivers into a single transceiver became a popular way of reducing the "box count" early in the war, and the trend that was begun in the VHF sets began to be seen in the HF realm as well. It was actually pioneered by Bendix in their RTA-1B, though this Collins set shared little with that design other than the same general size. It followed Navy requirements in having channelized autotune capability, though with only eight channels rather than the ten that the ATC and ART-13 enjoyed. |
AN/ARC-2
Unique rear connector for ARC-2
DU canvas cover